About

Isabel Paget (b. 2000, England) is a multidisciplinary artist whose work navigates the thresholds between permanence and impermanence, examining how time, perception, and identity warp under pressure.

Graduating with First-Class Honours from Central Saint Martins, Paget has developed a research-driven practice informed by thinkers such as Gilles Deleuze, Albert Einstein, and Buckminster Fuller. Combining philosophy, science, and engineered forms, she creates works that interrogate the structural and psychological tensions of contemporary life; focusing on how perception, identity, and time are stretched and fractured by the accelerating forces of technological evolution.

A turning point came in 2023 when she exhibited Revolve, an interactive sculpture at Burning Man. The impermanence of a temporary, participatory community became a living laboratory for her exploration of time's instability. This encounter expanded her understanding of sculpture as both spatial and temporal, deepening her commitment to creating works that challenge perception and invite active engagement.

Her 2024 solo exhibition Rhizome expanded on these ideas, examining how successive industrial revolutions - from the steam engine to artificial intelligence - have redefined humanity's relationship with time. The exhibition explored the tension between human perception and technological acceleration, constructing a charged environment where viewers confronted the elasticity of reality itself.

Paget's ongoing practice occupies the in-between spaces, where questions outweigh answers, cracks reveal what lies beneath the surface of perception, and the potential for collapse opens the door to new ways of seeing and being.

This online studio is home to her print releases, and time-limited drops — an accessible entry point into a larger body of experimental, research-driven art.